Noxolo emerges from a decade-long hiatus to deliver sonic masterpiece Molweni

By CityLife Arts Writer

Amidst the echoes of a genre craving innovation, Johannesburg-based songstress Noxolo emerges from a decade-long hiatus, delivering a sonic masterpiece that transcends the boundaries of time and convention. Her much-anticipated album, “Molweni,” unfolds as a groundbreaking chapter in the South African music narrative, challenging the status quo and breathing new life into a genre hungry for fresh resonance.

A native of Cape Town, Noxolo’s journey is not just a return; it’s a deliberate step into the bigger picture she envisions for herself and her audience. Choosing to flow with life, she introduces “Molweni” as more than an album – it’s a declaration of artistic revival, a fusion of Xhosa elements, and a testament to her evolved storytelling prowess. “Molweni” serves as a testament to Noxolo’s extraordinary storytelling abilities. Delving into various facets of love and its essence, the album is a tapestry of emotions and reflections that resonate with the soul. The lyrics unfold against the backdrop of Xhosa elements, providing a deeply personal exploration of Noxolo’s life journey. Produced by the industry giant Sibusiso Victor Masondo, the album showcases a profound musical evolution since her debut, emphasizing maturity in voice and delivery.

Collaborating with industry stalwarts such as Bra Vic and JB Arthur, Noxolo’s dream of working with these legends became a reality. The album features an array of exceptional talents, including Mark Fransman, Sisonke Xhonti, Tlale Makhene, and Tshego Teefo, among others. A dream closest to Noxolo’s heart materialized as she recorded with both her sons on the uplifting track “We are Gods,” reinforcing the message that humanity carries the essence of divinity within.

The album’s title track, “Molweni,” marks Noxolo’s joyous return to her roots and her people after a prolonged absence. It reflects her homecoming not only to her origins but also to her true passion – singing and making music. Through Molweni, Noxolo encourages listeners to find the liquid love residing within them, emphasizing the importance of family and acknowledging the deep need we all share of going home.

“Molweni” is more than a greeting; it is a profound acknowledgment of self and a joyous announcement of Noxolo’s return to the stage, where she finds her fulfilment and healing. The compositions speak to the interconnectedness of all beings, emphasizing the critical role of love in building more whole humans and civilisations.

Following the album release, Noxolo plans to tour the country, sharing her music with both old and new fans. Her aspirations extend to international collaborations and touching lives with her message of unconditional love. Beyond “Molweni,” she envisions establishing her own studio to mentor aspiring musicians, sharing her journey and experiences without imposing her own story.

Noxolo draws inspiration from life’s lessons and reminders to stay connected to Source and our own inner beings. Influenced by the likes of Mam Miriam Makeba, Ms Brenda Fassie, Melody Gardot, India Arie, and the late Whitney Houston, her unique sound spans genres and speaks to the soul.
Noxolo expresses gratitude for the enduring support of her fans, old and new, who have embraced her music. A recent performance in Cape Town revealed the timeless appeal of her 11-year-old debut album, showcasing the lasting impact of her musical journey.
Looking ahead, Noxolo envisions not only personal growth but also opportunities to connect and inspire others. She aims to create a space for young musicians and share her story without imposing her narrative.

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