The first Wits Standard Bank Piano Festival at Wits University was a resounding success.
By Funeka Bambalele
This past weekend, the beautiful Chris Seabrooke Music Hall at Wits University in Johannesburg, played host to the inaugural Wits Standard Bank Piano Festival, a celebration that showcased the phenomenal talent of some of the country’s best pianists.
It proved beyond doubt that South Africa has a rich jazz piano tradition, shaped by a distinctive musical heritage. Music lovers gathered in anticipation for an enchanting nights filled with masterful melodies and captivating keys—a true treat for anyone who appreciates the art of piano performance.
The festival commenced with an exclusive (by invitation only) launch event on 22nd of February, featuring the award-winning Italian piano duo, Spina & Benignetti, performing a captivating programme of four hands on one piano.
The main festival programme kicked off on Friday, showcasing two exceptional South African pianists, Kyle Shepherd and Afrika Mkhize, each performing a set that highlights their unique styles. On Saturday, audiences were treated to an unforgettable performance by celebrated pianist Nduduzo Makhathini.
It concluded on Sunday with two classical performances featuring the Karlsruhe Concert Duo, comprising German musicians Dagmar Hartmann (piano) and Reinhard Armleder (cello). The second and final concert presented Berlin-based pianist Jan Gerdes, performing contemporary African piano compositions, including works by South African composers from his critically acclaimed recording, East – West – Central – South.
All artists featured were outstanding and brought their unique style and interpretation to the stage, contributing to a rich tapestry of musical expression and creativity.
Kyle Sheperd brought a contemporary twist that left listeners spellbound, while Afrika Mkhize infused his performance with soulful narratives that told stories beyond words. Shepard was extremely classy handling intimate moments well and pianississimo.
Nduduzo Makhathini, known for his innovative approach, captivated the audience with profound compositions that resonated deeply. Makhathini presented some of his famous pieces like Unomkhwebulwano (the Rain Queen). Makhathini was not only playing but also educated the audience about his music and the inspiration behind it as well as the meaning.
However, the festival was not without its share of drama. One noteworthy incident occurred when a pianist, Afrika, arrived for Friday’s performance under a certain influence, looking unprepared and not sure what to play.
Since piano is an instrument he grew up playing, Mkhize easily controlled the situation improvising switching between Afro-jazz and straight ahead jazz. He opened his set with a piece dedicated to the organiser of the event and head of Wits Music School, Carlo Mombelli and his wife.
At some point he sat there staring at the piano until one of the audience members asked if he was intimidated? He responded saying piano does intimidate him.
Despite the dud, other artists displayed professionalism and artistry, ensuring that each performance happened smoothly.
The atmosphere throughout the festival was electric, with palpable excitement and appreciation from the audience. Each performance was met with enthusiastic applause and cheers, signifying a shared connection between the performers and the music lovers present. It was cheering to witness music lovers coming together to support local talent and celebrate the beauty of piano music.
The festival could be easily summed-up as nights with too many piano keys. As a music lover, the experience was an imaginative, memorable and ultimately very successful way to get a festival out of the starting blocks.
The first Wits Standard Bank Piano Festival at Wits University was a resounding success. The highs outweighed the lows, and the artistry showcased was nothing short of exceptional.